Wholesale picture frames: bulk framing and printing for businesses and organizations

By type of order: dedicated pages

Some business orders raise questions of their own, so they have a separate page that goes into the details. This page stays the place that explains how a bulk order works in general: price, consistency, a sample for approval and the schedule.

Office wall art: printing and framing the business's own material (certificates, project photos, the product, the team) for reception, meeting rooms and corridors. ← See the office wall art page.

Clinic wall art: the practitioner's accreditation wall and the walls of the therapy room and the waiting room, where a picture should calm, not crowd. ← See the clinic wall art page.

Blank canvases in bulk: stretched canvases for painting, for teachers, art classes, workshops and schools, in standard sizes or made to size. ← See the wholesale blank canvases page.

Certificates in bulk: frames for certificates of appreciation and accreditations, with the whole series in the same molding. ← See the diploma frames page.

Wholesale frames, and every other service in quantity

Wholesale frames are still most of our bulk work, but they are not the only thing you can order that way. We don't have a separate wholesale catalog: any service we offer a single customer can be ordered in quantity at the same quality, and you can combine several in one order.

Bulk picture framing: you bring the pieces (prints, certificates, artwork, posters) and we frame them all to the same spec. This is the most common case: a certificate wall for an office, a whole exhibition, a series of prints for a design project.

Bulk canvas printing: you send files and get back stretched canvases, ready to hang, all one size or in different sizes. It has its own section further down this page.

Poster, photo and foam board printing: print only, or printing that goes straight into framing, depending on what the project needs.

Empty frames in bulk: for people who frame themselves or just need the frame. Ready-made frames in standard sizes, or frames cut to measurements you give us, without us touching the contents.

Canvas stretching: series of paintings or canvas prints that arrive rolled and get stretched here on wooden stretcher bars.

Blank canvases for painting in bulk: canvas stretched on a wooden frame and ready for paint, for art classes, workshops and schools. ← See the wholesale blank canvases page.

Custom-size frames and large frames: when the order doesn't fit standard sizes, and when it calls for large formats for a commercial space.

Mats, glass and moldings as raw material: for professionals who make their own and want to buy the material rather than the work.

Custom mirrors: for hotels, offices and interior design projects, framed or frameless.

Shadow boxes and deep frames: for keepsakes, awards, objects and products that need to be displayed in a commercial space.

Not sure whether what you need is on the list? Call and ask. If we do it one at a time, we do it in quantity too.

Wholesale A4 frames

A4 (21×29.7 cm) is the size that comes up most in bulk orders, because it is the size of a certificate, an accreditation, a printed document and most small posters. Two different orders hide behind that search, and it's worth knowing up front which one yours is.

Empty A4 frames in bulk: ready-made frames you fill yourself, for example for a school that hands out certificates at the end of the year, or a company that adds a certificate to the wall with every new employee. The decisions here are the molding, the shade and the type of glass, and what brings the unit price down is uniformity: every frame in the same model.

Framing A4 pieces in bulk: you bring the certificates or prints, and we frame each one and hand them back ready to hang. This is the order behind an office certificate wall or a series of prints for a lobby.

One detail surprises people planning a wall: once a mat goes in, the frame is no longer A4. An A4 certificate with a 5 cm mat on every side becomes a frame of roughly 31×40 cm, and across a row of ten frames the difference adds up to a full meter of wall. Measure the wall before you settle on a spec, not after. Our A4 frames page goes into the choices themselves.

Wholesale canvas printing

Bulk canvas printing is our second most common order after bulk framing, and it suits spaces that are furnished all at once: a company lobby, a restaurant, a hotel, a clinic, meeting rooms, or an exhibition shown on canvas.

You hand over files and get a finished product: canvas printed, stretched over a wooden frame and ready to hang. You can order the whole series in one repeating size, which is the cheapest and fastest option, or a series in varying sizes for a planned wall. You can also have canvas with an outer frame or in a floater frame, when you want a richer finish than bare canvas.

What to know before ordering in quantity: the files are the critical part. A file always looks better on screen than it will in a large print, so before producing a series we check the resolution and cropping of every file and send you back a list of what's fine and what needs replacing. Before printing, not after. Our canvas printing page goes into the resolution and sizing considerations themselves.

Here too, we prefer to print one unit for approval before a large series, especially when the files have tones that matter. You see the real print on the fabric, approve it, and only then do we print the rest.

Printing in quantity: posters, photos and foam board

Not every bulk order ends in a frame. Some business customers need printing only, and some need printing that goes straight into framing as part of the same job.

Poster printing: poster series for an exhibition, a commercial space, indoor signage or a campaign. You can have them rolled, or framed in a matching frame across the whole series.

Printing and mounting on foam board: foam board is the cheap, light and fast solution for display in quantity: exhibitions, conferences, booths, information boards and displays in schools and institutions. It hangs without a frame or glass, which also makes it the simplest thing to move when you're rolling out across several sites.

Photo printing: on photo paper or fine art paper, for series going into framing, professional portfolios or an archive.

Printing and framing in one job: you hand over files and get a finished, ready-to-hang product. This is the format for anyone fitting out a whole space who doesn't have prints in hand, and it saves you an entire round of coordinating between two suppliers.

Framing for organizations, offices and institutions

This is the biggest part of our bulk work, and it almost always looks the same: one size repeated many times.

Certificate and accreditation walls: law firms, accountants, clinics and medical practices. Certificates are usually A4, so this is an especially uniform order, and the look is set mainly by the molding and the mat. Our diploma frames page explains the choices themselves.

Lobbies and corridors: a gallery of pictures at the entrance to an office building, a company-values wall, brand images along a corridor. Here it's worth agreeing on one unit for approval before the series is produced, and this is also where canvas printing often replaces framing behind glass.

Institutions and organizations: schools, colleges, community centers, nonprofits and public bodies. Usually certificates, historical photos and plaques of appreciation, and sometimes orders spread over several stages according to budget or fiscal year. We also work with formal purchasing departments: a written quote before the work starts, and a proper tax invoice.

Hotels, restaurants and commercial spaces: series furnished all at once, where consistency between the units matters more than any other aesthetic decision. Here too, delivery can be split according to the stages of the project.

And for an office planning the walls themselves (what goes in reception, the meeting room and the waiting room, and in what material), there is a separate page: office wall art.

Framing for exhibitions, artists and galleries

An exhibition is bulk work with a hard deadline, and that changes the order of work from the ground up.

We frame series ahead of exhibitions (prints, photographs, paintings or works on paper) to the same spec across the whole series. For artists the spec is usually a thin, neutral molding and a wide off-white mat, so the frame doesn't compete with the work. Our art framing page goes into the considerations for each type of work.

Not every exhibition is shown behind glass: for temporary displays, conferences and traveling exhibitions we also produce foam board prints and framed posters, which are lighter to hang and transport, as well as stretched canvases for work that looks good on fabric.

What to bring to the first conversation: how many works, what sizes, and when the opening is. The opening date affects both the production order and the choice of molding, because not every molding is available equally fast.

For galleries and shops we can also supply a stock of empty frames in fixed sizes, and you can come back to the same spec for future orders. We keep the series details so that an add-on comes out identical to the original.

Who it's for

Our bulk clients include bodies in the defense establishment and the aerospace industry, advertising agencies, architects and interior designers, and glaziers. We don't publish client names; these are the kinds of organizations we work with.

Interior designers and architects: a project with 20 or 40 matching units for an apartment, an office or a lobby, whether frames, canvases or a mix of the two. The challenge here is never the quantity but the match: the molding has to work with the furniture and the lighting, and every unit has to come out identical. We can agree on one sample for approval before producing the whole series.

Organizations, businesses and institutions, including defense and industry: certificate and accreditation walls, lobby galleries, corridors in schools and clinics, pictures and canvases for offices. Usually one size repeated many times, which is exactly the case where a combined order costs less than individual orders.

Advertising agencies: posters, foam board prints and canvases for a campaign, a display or a client presentation, print only or printed and framed in the same job.

Artists, galleries and exhibition producers: series for display or sale, framing and printing ahead of an exhibition, frame stock for a shop. Collection can be split into several batches to fit the exhibition schedule.

Glaziers, framers and other professionals: people who make their own and want to buy molding, glass and mats as raw material, or hand us just the printing part.

Consistency between units

This is what separates a bulk order from a stack of individual orders, and it's the first thing designers ask about. When we produce a series, every unit is cut from the same length of molding in the same production run, so the shade, the molding width and the mat width are identical across the whole series.

That isn't a given: a wood molding of the same model can arrive in different shipments in a slightly different shade, so an order produced in one go gives a more consistent result than the same order done in parts over months. The same is true of printing: a series printed in one run comes out more consistent in tone than a series printed in three batches over a year. If you already know the project will be extended, it's worth telling us at the start.

Before producing a large series we prefer to make one unit for approval. You see the molding, the mat, the glass or the print on the real piece, approve it, and only then do we produce the rest.

Frame importer or a studio that makes frames: what you are actually buying

Searching for wholesale frames leads to two kinds of supplier, and they sell different things even when the word is the same.

An importer or distributor sells ready-made frames: a carton of identical units made in advance, in standard sizes and in the models they have in stock. That is the right route when what you need is exactly the product on the shelf, and there is nothing the frame has to fit.

A studio that makes frames builds the frame around what goes into it. The molding is cut to the size of the piece, the mat is cut to its opening, the glass is chosen for where it will hang, and the piece is mounted and sealed. In a bulk order, that means you can mix non-standard sizes in the same series, see a sample unit before production, and come back later to the same spec, because we keep the series details.

The deciding question is not the quantity but what you have in hand. Only need empty frames in a standard size? We sell those in quantity too, and it's worth comparing. Have certificates, prints, files or artwork that need to go into a frame and onto a wall? That is framing-shop work, and here a bulk order gives you what a carton of ready-made frames doesn't: a fit for every piece, and consistency across all of them.

Pricing a bulk order

We have no fixed wholesale price list and no set minimum quantity. Every project is priced on what it actually requires, and you get one clear quote before we start.

The unit price drops in a combined order for practical reasons: the same spec repeated many times removes the need to fit each unit from scratch, the molding and glass are bought and cut in one batch, and the work runs continuously. Printing works similarly: a series in one size runs continuously with less material waste and less setup. The more uniform the units (same size, same molding, same print size), the bigger the difference. An order of 30 items in 30 different sizes comes close to individual-order pricing.

What affects the quote: the quantity, how many different sizes it includes, the type of molding, the type of glass, whether there's a mat, and for printing, the material (canvas, paper, foam board) and whether the print is also being framed. With those details we can give you a price over the phone; without them any number would be a guess.

For organizations and institutions we issue a written quote before the work starts, so you can pass it on to purchasing or budget approval, and a proper tax invoice at the end.

Schedule and delivery

A single job here is usually ready within two business days, but that isn't the schedule for a bulk order and it wouldn't be right to promise it for a series. The turnaround is set by the scope and by material availability, and we give you a target date together with the quote, before you commit.

If you have a hard deadline (an exhibition opening, a project handover, a conference, an event), tell us in the first conversation. It affects both the order of work and the choice of materials, because not every molding is available equally fast.

Delivery is arranged with you according to the order: delivery to you or collection from the studio in Rishon LeZion, all at once or in several batches according to the stages of the project. Delivery details are set together with the quote. If you prefer to collect: the studio is at 3 Naftali Palatin St., and you can arrange to come by car for loading.

How to get started

Call with the basic details: how many units, what sizes, and which service (framing, printing or both). If you haven't settled on a molding, print material and finish yet, that's fine; it's part of the conversation.

Have a list or files? You can send them on WhatsApp instead of dictating them over the phone. A list of sizes, photos of the pieces or a spec file from the project saves a round of questions and lets us come straight back with a quote. For a print order, send the original files and not images that have passed through a chat: WhatsApp compresses files automatically, and in a large series you find out too late.

If you want to see and handle moldings before deciding, you're of course welcome at the studio during opening hours. But for a bulk order it's better for the first conversation to be by phone, so that when we meet, the direction and the budget are already known.